
Wagner Welten
A staged digital journey through Richard Wagner's thirteen completed stage works, plus researched directories of the places, performances and societies worldwide. Scrolling sets the pace.


How it is staged
- I
Overture
The opening sets the rule of the site: text, image, space and sound follow one principle, and every gesture waits for the reader's rhythm.
- II
Richard Wagner
Five stations from Leipzig 1813 through the Dresden exile, Munich 1864 and Bayreuth 1876 to Venice 1883. Not a monument, but the ruptures in between.
- III
The complete stage works
All thirteen, from Die Feen in 1833 to Parsifal in 1882. The early works stand alongside the familiar Bayreuth canon as equals, not as a footnote.
Why
I wanted a site about Wagner because the subject has not let go of me for years. But I did not want another site with plot summaries. So I set myself tasks: bring every performance worldwide for this year and next into one calendar. Collect every place connected to him and replace the pictures with my own as I visit them. And on desktop, build not a landing page but a staging that feels like theatre when you scroll.
Insight
The site runs on Next.js and Vercel, the data lives in Supabase. The map is Google Maps through the API, with custom styling for the light and the dark view so the places stay readable instead of drowning in default colours. For the open data on places, performances and societies, Claude and GPT help with gathering and checking. Like every one of my sites it has an llms.txt and sits in Search Console.
Screens




What else belongs to it
- Performance calendar
- Performances worldwide for this year and next, pulled together from the houses' own schedules, so you can see where the Ring is on right now.
- Places, with my own photos
- Every place connected to Wagner: houses, museums, routes. Wherever I have been myself, I replace the picture with my own; the directory grows with my travels.
- Societies
- Wagner societies worldwide, with location and link.
- Sound
- The site carries a sound layer, and it can be switched off in the header. The control sits where you look for it, not inside a menu.
- Bilingual
- German and English, both complete, not a machine mirror.
Here I am in the right place. I confess it freely: what drove me from the country to Nuremberg was love of art alone.
Luis Godoy Alvarez